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    Callan Grecia's hyper-referential cubism mangles & deranges
    for Jan-Henri Booyens, clarity articulates in chaos
    fire restores the soul to the realm of the breathing
    the latent life of images subverts dialectics of consumption
    Athi-Patra Ruga weaves an account of the wayward
    Jeanne Gaigher's interiors haunt & heal
    the glitch as gothic in Mame Diarra-Niang's maps
    Io Makandal's experiments in organic alchemy
    Jon Berndt imagines billboards for the commons
    sequined self-images question nudity vs. nakedness
    the watering hole as arts institution & playing the fool
    Thenjiwe Niki Nkosi's gymnasts on performance and negation
    claywork as earthwork, memory-work & play
    hydro-logics: unfurling selves, contagious bodies
    a love letter on the occasion of Smith's farewell
    Musa N. Nxumalo captures the ball uncaptured
    how might the art world rebuild solidarity?
    Frances Goodman's cosmetology of the sensual & abject
    Scum Boy's queer CGI worlds corrupt the digital
    Simphiwe Buthelezi's icansi are metaphors for shelter
    Sepideh Mehraban's carpets remember forgotten history
    Marlene Steyn's living water paintings
    future dreams & spell-casting at the Stellenbosch Triennale
    Carol Ann Gainer's pharmaceutical art
    making fun of / with Mitchell Gilbert Messina
    an ethics of witnessing for the Quiet Violence of Dreams
    a self-examination of the myth of America
    Stacey Stent's cartoons critique the white left
    Cape Town's queer underground club utopia
    chronology as a poetics of archive
    everything is text in 'acts of reading'
    Marinella Senatore's confused revolution
    looking & being looked at in 'about face'
    artists rename history in 'the past was waiting for me'
    un-choreographed performances of a sound exhibition
    MPW retrosepctive reads archive against the grain
    theorizing the studio sale at 'shooting birds'
    the viewer becomes houseguest with Jabulile Newman
    ritual, ceremony & decorum in a queer congregation
    navigating intimacy & boundaries in 'close encounter'
    an acknowledgement of painting as an unresolved category
    Ashley Walters's eye for limits, concealments & traps
    Katharien de Villiers boycotts clear understanding
    rethinking video art in a highly videoed world
    Maurice Mbikayi's present apocalypses